24 Soltada
1. Tango Touch 01:00 2. Stay in the Game 7:32 2.1 The 7 Pathways 8:55 2.2 The 3 Interactions 12:54 • sacada • barrida/sandwichito • gancho 2.3 Notes 18:10 • we can transition between pathways and interactions, if we have super attention • dynamic is more important than direction • reestablish a standard embrace gradually […]
23 Adorno
1 free leg 01:10 1.1 rotation 01:30 1.2 extend knee and ankle 03:02 1.3 developé 04:45 1.4 circles 06:30 1.5 Crosses 08:01 1.6 taps 09:54 1.7 voleos 11:44 1.8. Invitation to adorn • from pivot parada 13:53 • anytime 15:40 2. Adornos during transfer 16:34 3. Other adornos 18:20 3.1 Adornos with muscle tension 18:47 […]
12 Parada
1. The Peroneal Muscles 2. Every step is a continuum 05:35 2.1 A world of expression inside every step 07:16 2.2 Using the peroneals and embrace action to control the Revel’s transfer 11:10 3. Contexts for Paradas 16:30 3.1 sacada-parada 17:00 3.2 sacada-sandwichito 18:55 3.3 sacada-gancho 20:50 3.4 pivot parada 24:15 3.5 voleo parada 26:52 […]
13 Barrida
1. Barrida Biomechanics 1.1 Projection without destabilizing arc 0:50 1.2 Flexing the free leg’s knee and hip, rotating the hip 1.3 Flex hip to project in the air 3:48 1.4 Projection with pivot 4:51 Barrida improvisation 2. Toqada (touch) 6:00 3. Alternate Projection 6:20 3.1 Flying 15:22 3.2 Into Crosses 16:41 4. Sandwichito 18:45 13 […]
11 Crosses
1. The Crosses 00:17 2. Marking Diagonal Projection 01:49 3. Doing the cross 06:50 4. Variations 4.1 Diagonal Projection to change of foot 14:25 4.2 Crosses with an extra projection 16:15 4.3 Crosses with Pivot 20:22 4.4 Crosses with Rebote 23:08 4.5 Cross with an extra change of foot 23:55 4.6 Fake crosses 24:58 4.7 […]
13 Barrida
A barrida moves the Revel’s free leg by direct contact with the Mark’s free leg.
12 Parada
A stop, during any point of a step or pivot.
11 Crosses
The free leg crosses in front or behind the base leg.
24: Soltada
A soltada goes out of the standard embrace.
23 Adorno
Adornos are unmarked embellishments. Both partners can do almost anything they want, as long as they remain reliable and predictable.
21 22 Volcada Colgada
In Colgada the partners are off-balance, hanging on one another.
21 22 Volcada and Colgada
In Volcada the partners are off balance, leaning on one another.
