How long do you dance with one person? (the tanda)

At milongas and practicas we dance three or four songs with one person – this is called a “tanda”, sometimes separated with 15-30 seconds of contrasting music, called a cortina (curtain). If there is no cortina, you can just count four songs.

Tandas are usually songs of the same type. There are three types of tango music: tango, vals (waltz), and milonga. Milonga is the fast one. The tanda may also be a group of music by the same composer or in the same style or era. So you get a whole tanda of milonga music, or vals, or tango music with a certain feeling.

Leaders often wait to hear the type and style of music before deciding to dance and selecting a partner.

Generally, once we have agreed to dance, we complete the tanda of four dances with that person. It is considered rude not to complete the tanda. We do not break the tanda because of the person’s dancing skill. There are, however, times when we do break the tanda despite the fact it is rude. That would be: if the person is running into people (or furniture) a lot and you feel unsafe or unprotected dancing with them; if they are groping you or making you very uncomfortable in a way that is not part of the common tango embrace; if they are drunk, which is considered unacceptable in tango. Generally, sweatiness and other discomforts that are simply a result of being close to another person is accepted in tango, and we do not break a tanda for these kinds of discomforts.

See the Etiquette Guide for more details on the milongas, the cabeceo, and tango’s codigos.

Introduction

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Of course there are courses in almost every town where you can meet other beginners. In case you are a bit shy and you’d like to start training and learning first at home, we have a beginner’s package. It includes 10 practice sessions, a book to get you excited (print or e-book), and a home page here at TangoForge with all of our resources for new dancers as well as a forum to ask questions. The practice courses are also useful in case you get very busy or need to travel for work and can’t make it to class. They’ll give you a way to continue improving steadily with or without group class.

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Books

Power is the courage, confidence, and competence to make things happen. I want to create in a way that’s incomparable and define my own compensation package. You too?

Syntax of Power is a raw, potent, and spare revelation of how I got to where I am and how I take on the struggle every day.

This book is not about tango, it’s about everything else.

It’s about stepping into the darkness of change, learning how to take care of yourself, and making things happen.

Dyv stands for Duro y Vio. We were inspired by a 2007 conference at Harvard University about tango as a transnational culture. Also we wanted to create something that would help people to imagine a queerer tango. We forbid ourselves to use the word ‘passion’ and instead tried to articulate the experience more precisely.

Argentine Tango is more than an elaborate and difficult dance, it is an international culture of intimacy, desire, and dignity. No mere romance or memoir, the intricately woven stories evoke tango’s true mysteries … the elation, the frustration, the compulsion…

We published the book in 2009. Dancers asked “how did you know what I was feeling?”

Silences in history. Silences by code. Silences of fear. You already know that Tango’s silences can be sublime and they can be devastating.

What I do in my blog is use myself as a lens – sometimes a microscope, sometimes a telescope. I try to be as honest with myself and you as words concede. Then I try to find a deeper meaning and imagine a pathway for us.

A blog post can be a fragment, a wisp of inspiration, an outline for thinking. A book must complete and reconcile it all. Now I drag the social scientist to the scene to enumerate the facts of the case, the mystery which brought both stardom and tragedy to my life.

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