In this Distance from milongas, I dance alone with the ocean. What are you doing and how are you feeling about tango, with the perspective of some Distance? I created a workbook to help us think about this.
I believe that many dancers will return from the Distance with a renewed care for our community and a desire to rebuild it with great love. I believe many people will be inspired as never before to share the gift of tango, feeling now perhaps more than ever before the preciousness of gathering, and embracing. Indeed my student Josh is already preparing a class for his community, a clean and sober gym. We had a conversation about how to think about teaching, and this post contains my notes:
The purpose of the codigos is to protect egos from rejection. But what goes missing when that is the only system we have? What indeed is social, and what social dimensions of tango require care? Let us consider what we can do about that when we return.
I’ve worked at home for 20 years. For folks who are new to it and for those unable to work who are and are abruptly faced with the rather uncomfortable opportunity to move forward on your dream projects, here are 15 tools for Discipline, Self-Awareness, Improvisation, and effective Contemplation.
I need to tell you that I am feeling tremendous relief about having a break from tango.
Indeed interruption is part of the history of tango. During the dictatorship, tango became a family and home practice. It’s really not all about milongas. Let us welcome this pause as part of the dance, a needed disruption of rhythm, part of a more complex one.
The video proclaimed “if you dare to move your legs (or to enjoy the movement of your lady’s legs) you deserve to be restrained and to suffer.” And it had the intended effect which was to intimidate even the best dancers in the Wellington community from executing certain movements.
My foes are absolutely certain that I am one of those nuevo dancers, toes grazing my shoulders, back turned to my partner, dancing to ambient music in strange shoes. Actually it’s beyond nuevo, it’s not even tango anymore. My fans, who yearn for self-expression and are often berated for that, cluster around hoping that I will protect and expand the territory of freedom.
These are the folks I want to be dancing with in 5 years. You too? If so, please help me to get this film out globally to these tribes.
“At first when I started to do it like this. I only wanted to have time between to open the new piece. With time the improvisation grows, having its own character. It’s no longer an opening only. Now the improvisational part is only a little shorter than the piece after it.”
Selecting a few posts to reprint in Until Forever, I re-read my first blog post ever. It was a bit startling to realize that most
Many different words are used to describe post-Golden Age tango: nuevo, electro, neo, alternative, contemporary, con-tango, fusion … Some people even use the term ‘non-tango’. The term ‘neotango’ is becoming more common in Europe, and its meaning is becoming more interesting. As I’ve learned more, I feel that it would help us to have some clarity and consensus where possible about these terms,
For many people the music played at the various social dance schools is a bit strange. When they find Fusion, they are dancing to contemporary pop music and they say “Oh, this is the thing. This is the kind of music I want to dance to.”
In the music of the 30s and 40s, the advantage of an Orquesta Típica is that relatively simple things sound full and exciting. The idea of the Community Tango Orquesta is to create music in a way that fits the expectation of dancers in a milonga, and create it without the need to make money on it.
Some readers have responded to recent posts with alarm. They perceive a darkness. That’s because I decided to take a serious look at tango. While
- Advanced Dancers
- Buenos Aires
- Considering Tango?
- curated shopping
- Getting Started
- New Dancers
- other dances
- Secrets for Men
- Style Guide
- the Berlin interviews
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