It’s painful to sit as a revel waiting to be asked for a dance. Marks feel a lot of stress in having to make the
DNI appealed to me for three reasons. Of course the most important factor in choosing a teacher is that you like how they dance. I
Indeed, a visitor to Buenos Aires could not today distinguish between traditional and new milongas based on the music played, the embrace used, steps and movements, which orchestras are invited to play, or which dancers are invited to perform. What is different is age of patrons, and whether the tables are hosted and segregated…
If the leader doesn’t risk openness and vulnerability, if the leader falls back or contracts power, the follower has to extend too far across the emotional and physical gap. It’s very difficult for leaders to send their hearts forward, and much easier to pull the follower to them. This stance countermands a comfortable retreat to the intellectual side and requires a dramatic embodiment of an extreme and seemingly archaic gender role — the protector.
…in the waves of globalization, one of which birthed tango. We tanguera/os are struggling to learn to share, gripping authority as it slips through the toes, parrying each fusion that comes, trading shifts on the guardwatch, fighting over the orthodox, whirling around to explain that tango has always been a fusion, has always been diverse, has always been changing, has always been shared.
A feminist tango is not anti-man in any way, but it is pro-woman. It means we give each other the same gracious generosity that we habitually and unhesitatingly offer to strange men. It means we give each other more, and what that more can be is open to the imagination of every woman who has suffered the unique and poignant pains of tango.
Assisted by Daniele Perillo, I interviewed the organizers of La Maria Practica on 25 January, 2010. Inspired by the interview, I wrote an article about
Queer Tango is a global movement to create inclusive and diverse space for Argentine Tango dancers. This means celebrating gay, lesbian, bisexual, and transgender dancers.
“The traditionalists complain about the modern ones contending that they don’t dance tango, instead they do gymnastics, and the modern dancers complain that the others got stuck in time. There is no fusion, it is one group against the other, and it makes me sad because in reality we are all together.”
On 19 April 2009, Duro y Vio organized two beautiful events at Spontaneous Celebrations to mark their departure from Boston. One was Boston’s first Queer
This research note examines the unique possibilities that tango may create as it becomes queered, and identifies ways in which the extreme gender environment of traditional tango is already queer. I distinguish three layers of gender experience in tango: drag, object desire, and inhabitation of essence.
Pablo Veron was the choreographer and principle dancer of Sally Potter’s movie, The Tango Lesson. In this interview in El Tangauta he discusses current tango debates, such as whether and how to differentiate styles of dancing, what has happened with the emergence of pedagogies for teaching, and the “industrialization” of tango. The interview beautifully articulates why improvisation is the soul of tango.
Homo Revolution is a national tour of Queer hip hop artists. It’s interesting to reflect on the acts and meanings of queer hip hop as we think about building queer tango.
Pablo Aslan is a tango musician and musicologist who is very historically informed and clear thinking. He is working on his own music, with
If you are ok with meaningless, detached eroticism, desensitized from the emotions that normally accompany it, and seeking to avoid misunderstandings, entanglements, fluids, or diseases, tango is a way to get off several times a night for the rest of your life. And it’s an age-inclusive social space, where women become more sexy as they tuck decades of dancing into their girdles.
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- Secrets for Men
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